MusicaSacra.com | Church Music Association of America: Prepare to be inspired

Wednesday, December 07, 2005

Prepare to be inspired

At the end of wonderful report by Sandro Magister on the Vatican's December 5 conference on sacred music, a speech by Valentino Miserachs Grau, president of the Pontifical Institute of Sacred Music, is reprinted. It is just magnificent!

A few excerpts:

In fact, the almost outright ban on Latin and Gregorian chant seen over the past forty years is incomprehensible, especially in the Latin countries. It is incomprehensible, and deplorable.

Latin and Gregorian chant, which are deeply linked to the biblical, patristic, and liturgical sources, are part of that “lex orandi” which has been forged over a span of almost twenty centuries. Why should such an amputation take place, and so lightheartedly? It is like cutting off roots – now that there is so much talk of roots....

Gregorian chant sung by the assembly not only can be restored – it must be restored, together with the chanting of the “schola” and the celebrants, if a return is desired to the liturgical seriousness, sound form, and universality that should characterize any sort of liturgical music worthy of the name, as Saint Pius X taught and John Paul II repeated, without altering so much as a comma. How could a bunch of insipid tunes stamped out according to the models of the most trivial popular music ever replace the nobility and robustness of the Gregorian melodies, even the most simple ones, which are capable of lifting the hearts of the people up to heaven?

We have undervalued the Christian people’s ability to learn; we have almost forced them to forget the Gregorian melodies that they knew, instead of expanding and deepening their knowledge, including through proper instruction on the meaning of the texts. And instead, we have stuffed them full of banalities.

By cutting the umbilical cord of tradition in this manner, we have deprived the new composers of liturgical music in the living languages – assuming, without conceding, that they have sufficient technical preparation – of the indispensable “humus” for composing in harmony with the spirit of the Church.

We have undervalued – I insist – the people’s ability to learn. It is obvious that not all of the repertoire is suitable for the people: this is a distortion of the rightful participation that is asked of the assembly, as if, in the matter of liturgical chant, the people should be the only protagonist on the stage....

Do we want a revival of Gregorian chant for the assembly? It should begin with the acclamations, the Pater Noster, the ordinary chants of the Mass, especially the Kyrie, Sanctus, and Agnus Dei. In many countries, the people were very familiar with the Credo III, and the entire ordinary of the Mass VIII “de Angelis,” and not only that! They knew the Pange Lingua, the Salve Regina, and other antiphons. Experience teaches that the people, following a simple invitation, will also sing the Missa Brevis and other easy Gregorian melodies that they know by ear, even if it’s the first time they have sung them. There is a minimal repertoire that must be learned, contained within the “Jubilate Deo” of Paul VI, or in the “Liber Cantualis.” If the people grow accustomed to singing the Gregorian repertoire suitable for them, they will be in good shape to learn new songs in the living languages – those songs, one understands, worthy of standing beside the Gregorian repertoire, which should always retain its primacy....

I would go so far as to say that without Gregorian chant, the Church is mutilated, and that there cannot be Church music without Gregorian chant.

The great masters of polyphony are even greater when they base themselves upon Gregorian chant, mining it for themes, modes, and rhythmic variations. This spirit imbuing their refined technique and this faithful adherence to the sacred text and the liturgical moment made Palestrina, Lasso, Victoria, Guerrero, Morales, and others great....

Gregorian chant must not remain in the preserve of academia, or the concert hall, or recordings; it must not be mummified like a museum exhibit, but must return as living song, sung also by the assembly, which will find that it satisfies their most profound spiritual tensions, and will feel itself to be truly the people of God.

It’s time to break through the inertia, and the shining example must come from the cathedral churches, the major churches, the monasteries, the convents, the seminaries, and the houses of religious formation. And so the humble parishes, too, will end up being “contaminated” by the supreme beauty of the chant of the Church.

And the persuasive power of Gregorian chant will reverberate, and will consolidate the people in the true sense of Catholicism.

And the spirit of Gregorian chant will inform a new breed of compositions, and will guide with the true “sensus Ecclesiae” the efforts for a proper enculturation. ...

We are waiting for authoritative directives, imparted with authority. And the coordination of all the local initiatives and practices is a service that rightfully belongs to the Church of Rome, to the Holy See. This is the opportune moment, and there is no time to waste.

3 Comments:

Dad29 said...

I love two-fisted Vatican-types.

Fr. Grau deserves a medal, and prayers of thanksgiving shall ascend...

December 07, 2005 11:40 AM  
The Leper said...

The lonely French Resistance fighter, hunkered down in his beloved homeland, despearately striving to avoid the notice of the occupiers, but taking heart from the scratchy broadcasts of Winston Churchill...

December 08, 2005 1:27 PM  
Michael E. Lawrence said...

"We have undervalued the Christian people's ability to learn."

Bravo! I have believed this for a long time and have been dismayed at the way parish leadership will often insult the musical capabilities of the congregation by claiming that they can't handle the chants which rightfully belong to them.

Perhaps, contrary to the thinking of many, Gregorian chant is indeed the best pathway to the actual participation of the faithful in the music. I have witnessed many people who will not sing the hymns--no matter what style--but they WILL sing the Pater Noster and the Preface dialog chants. The Agnus Dei from Mass XVIII also seems to enjoy a larger degree of participation. We can build on this.

December 10, 2005 4:46 PM  

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